I
stand at Joe’s
front door. It’s a ground-level flat in the western suburbs of
Adelaide. A quiet working-class area
comprising
small brick homes, low-rise apartment-blocks
and light industry.
I’ve come to buy a
text book he’s advertised
on a noticeboard at
Uni.
Footsteps
herald his arrival
and I remind myself of the book
title and price.
The
door opens and a gaunt dishevelled
figure
looks down at me. He’s
not what
I expect. Speaking
on the phone a few days earlier, I’d
imagined
a lively young
academic
with
an
air
of
sophistication.
After
all, he’s selling a Fourth Year Medical book: Grey’s
Anatomy.
But
the reality is
jolting:
a
surly-looking
man,
early
40’s,
receding dark hair, grubby denim jeans under
a
worn black windcheater, glaring
at me silently, unsmiling,
blue eyes piercing.
‘I’m
Amy,’ I say,
forcing
a smile.
‘We spoke on the phone. I’m
here to
buy
the
book.’
His
expression softens a
little, he
steps
back and,
opening the door
widely,
he
gestures
for me to enter.
‘Right,’
his voice is deep and gravelly - different
from
how I remembered
on the phone.
‘Come
in, then.’
Again,
I’m confused. I thought I’d stay
here
on
the porch and I’d
just pay outside.
Why
would I need to go into
his
flat?
But
...
I don’t want to be rude and
I desperately need the book … exams
are coming
and I’ve
got next to no money - while
the price he’s asking
is a steal.
Almost
too good to be true. Seriously.
So,
I step towards the entrance and peer
into the gloom, my eyes are
yet
to
adjust
to
the dark:
The
flat
is a mess and
a
horrible
stench of rubbish
and mouldy furniture hits
me. As
I move through the doorway, I
hear a voice in my head saying:
This
isn’t right. Something’s off. Leave!
Impatiently,
I
silence the voice.
‘I’ll
get the
book,’ he says, shutting
the front-door
behind me
before
disappearing through
another door.
As
I wait, I can hear noises – scraping sounds, like furniture being
moved around - from other
rooms. I
realise the
man
is not alone. Someone else, maybe more than one, is
here
with
him.
Forget
the book, the
voice in my head insists.
It’s
not worth it.
I
realise maybe it isn’t worth it
– it’s too weird
-
and I
decide
to leave.
Turning,
I move
towards the front door but
the
handle is like nothing I’ve seen before. It
appears to be hand-made. I
have
no idea how to
open it ... and
realise maybe
it’s been
locked.
Before I can move, footsteps
march briskly
along wooden floorboards
towards
me,
and
two men enter the
room.
One
is the man I met at the door, but the
other is new.
He’s
slightly shorter
than the first, mid-30’s,
blonde,
smiling and better dressed than his companion. He reaches into his
pocket and,
as
he watches
me intently he struggles
to extract something. I
step back, the hair on my neck bristles
and my heart pounds
deafeningly
in
my ears. I feel
faint … and I can’t think. My
thoughts are confused, scattered. It’s like I’m
an
observer – outside my body
- watching
events unfold from
a distance.
The
shorter man
struggles with
the object for a few moments longer
then, with a violent
tug,
he
yanks
out
a small, black gadget
which he
points,
with
an
extended
arm, towards
me.
Unable
to catch my breath, jaw gaping,
my gaze shifts down to the dark item
in his hand: it’s black,
shiny,
rectangular,
the size of a novel? I’m
confused … It
is a novel. What?! He gestures for me to take it from him, and when I
do I read the title: Grey
Anatomy: winter poems.
‘You’re
here for this?’ the
voice is the
one from the phone. ‘They’re
my own poems. I’ve sold a few copies to the Medical students. No
idea why they like them so much. But that’s why I’ve
been
advertising
up
at
the Medical
School.’
Darn!
No
wonder Med
students buy them ... they think it’s the cheapest copy of Grey’s
Anatomy
they’ve
ever seen!
I
look around again
at
the shabby flat – and it makes sense: he’s a poet. He suffers for
his art. His face is so
full
of pride
and happiness, watching
me as I turn the volume over in my hands. I imagine his delight
and
relief
in selling a
few more
copies of his book. His
poems. His
words … His
life’s
purpose.
I reach into my bag, find
the money and pay him. ‘Thanks,’ I say, forcing a smile
again.‘Thank you ... I’m sure I’ll enjoy reading this.’
I
leave and, in
my head, I’m kicking
myself:
At
least I’m not dead, I
reflect,
that was all
pretty
weird
and creepy
but … all
my money is now
gone,
I’ve
got no copy
of Grey’s
Anatomy and
no time to find another one
...
and
… quite
possibly I’ll now
fail
my exams.
Shaking
my head, I consider an option might
be to study
in the Uni
library
and
borrow a Reserve copy of the book. But … Darn
it!
I
drag
my feet as I trudge
back to my car.
So
disappointed.
So
stupid to
have misread
… misunderstood
the Ad
... but who sells poetry books to Med students?!
I
turn to look back
at
the flat and
realise
the blonde
poet
is on
the porch smiling
at
me.
He
waves
and I
can’t help noticing the look of happiness ... and … enthusiastic
encouragement
on
his face. I wave back and hold his poetry book in the air, nodding
and
smiling my
thanks again.
OK,
maybe some things work out for the best, I
reflect.
Maybe, one day I’ll read his poems and like
them. Who knows. Maybe his writing will spark some enthusiasm for the
Art of Language
in me and one day I too
will want
to write something.
Or … maybe
it’s not about me at
all.
Maybe
this is about him. The poet. Maybe
he’s
meant to keep writing – not give up yet – success lies
just
ahead
– waiting
for him - and with the sale of a few of his books, he’ll continue
pursuing his goals.
In
the end,
I
have no idea why
stuff happens -
but today
I
bought his book and I
realise now
that I’m
pleased I did
– even
if
only to see the
lovely expression on his face. Totally worth it. I
lift my head and skip ahead
to my car, swinging
the arm that carries my new poetry
book.
Who
knows
-
maybe
there are no mistakes in the larger
plans
of the
universe and life.
* * *